If you missed the story itself, it’s free to read online HERE!
It’s become a tradition for me to write a behind-the-scenes for every story I release. Not only do I think it’s cool for readers to see, but I also write a much more stripped down version for myself. When I go back to edit, I look at the BTS to guide myself: What was my intent behind the story? What can I do when I edit to make sure the story is delivering that intention?
The BTS is best read after the story, because they often contain spoilers. No cheating.
Without further ado…
Behind the Scenes
Process
“Chupacabra” is what I call a miracle baby. Some stories require months of labor and lots of epidural, but this idea came to me fully formed. I’d been wishing for weird and experimental story ideas, and my brain delivered with a vengeance. The title popped into my head at random after talking through an, uh, interesting date I went on, and the whole thing came pouring out. (Not to say it didn’t go through editing and feedback, just that the first draft was very clean.)
Form and point of view
I’ve said it before and I’ll say it again: I believe the most effective experimental styles are the ones that enhance certain aspects of the story, whether that be a theme, a character’s mindset, or whatnot. This time, the experimental style was less of a conscious choice and more instinctual, but after the fact, I can unpack why I think it works.
The bullet point format allowed me to rapid-fire questions and statements, giving the story the snappy, stream-of-consciousness feeling I was going for. I thought I may have invented this format. This is called the hubris and egocentrism of man. Obviously, I didn’t. Raphael Bob-Waksberg has a brilliant story called “Lies We Told Each Other (a partial list)” in his collection “Someone Who Will Love You in all Your Damaged Glory” told in a bullet point list.
Second person, in this case, aids the story in feeling more personal to the reader. While the chupacabra problems aren’t relatable to you (I assume), the nebulous etiquette surrounding dating may be. As I’d hoped, a lot of early readers saw themselves in the story. Remove “Chupacabra” from the title and fill in the blank: When to Tell Your Date You’re Asexual. Neurodiverse. The owner of a very annoying parrot.
Metaphors aside, it’s also a silly story about a chupacabra. I love that we can have both.
I love this analysis of your own work. It is fascinating to read about your creative process. Thanks!!!