Self-Styled Siren 

The continuing adventures of Self-Styled Siren, aka Farran Smith Nehme. Film critic, film lover, erstwhile “cult blogger.” Focuses on pre-1960 cinema but isn’t high-hat about it.

My tribute to the witty, erudite, unique, and proudly obstreperous critic David Ehrenstein, who passed away yesterday. There's no paywall, and the comments are open too. Nothing else would be appropriate for a man who was always ready to roll with any opinion he encountered.

In Memoriam: David Ehrenstein

This is great work, unearthing a story of Hollywood and the Great Depression that I imagine virtually no one knows (I certainly didn’t). Sophia’s temporarily on the unemployment line herself, and if you are so inclined, subscribing to her delightful Vitaphone Zone would help. And would give all you Jazz Babies hours of reading pleasure to boot.

From 1931: Dolly Jarvis and her mother Estelle bring a dispute over a $15,000 film investment to the LA District Attorney’s office—the young actress alleges she paid it to a Poverty Row studio to nab a role in The Woman Who Was Forgotten (1929), which she never received. Considering that amounts to about $300,000 today, I don’t blame her.

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Over at Reverse Shot, I spoke to Lebanese writer-director Heiny Srour about the restoration of her films LEILA AND THE WOLVES and THE HOUR OF LIBERATION HAS ARRIVED ahead of their week-long run at BAM Brooklyn.